This is the newest iteration of the violinisto tag. It was made for me by Susanna Prince.

Three new fiddles in the drying cabinet. The one on the right is Alafaire, just begun finishing. In the center is Novinha, a Del Gesu model, and on the left is Ela, a Strad model. Alafaire is bound for Italy in the fall.

Just prior to RedDog's European expedition, I'll be moving the shop to larger quarters. Tom, guitarist and banjo operator for RedDog, has a new studio and the violin shop will join him there. This will make the shop big enough so I stop losing things (I hope) and  so that people can stop by to try out violins or play a tune or swap tall tales. Here are two snapshots of the space.

Alafaire's table. The inside is already hollowed and substantially finished with only a little blending to go. The outside is now matched to the inside making any minor corrections necessary. Out of the original glued up blank, most of the spruce will wind up as shavings on the shop floor.

Italian spruce for Alafaire's table glued up and resting.

This is the back of the most recent Strad model. Already hollowed and with the arches roughed out, it's ready to be planed down to final shape and graduated.

I used to give the fiddles names just before I closed the body but lately, with the lead time on silver tags, I try to do it right away. This one is called Alafaire, a name first seen in Scotland and England in the 16th century.

This year at Folklife on the narrative stage, I will be part of a presentation on practical acoustics, specifically regarding violins. Joining me will be Rick Davis of Running Dog Guitars, who will offer the guitar perspective on the same subject. The hour long presentation will be tailored to whomever shows up and what they, as a collective audience, are interested in talking about. Hopefully we will also have a practical demonstration or two as accompaniment to our dialog; maybe even a diagram.